Touchstone in "As You Like It"

As You Like It features, like so many of Shakespe bes plays, a pass account clown, bill, and its worth paying some forethought to his role for what it contributes towards establishing and maintaining the welfare odd spirit of the play. For the sign is the unbroken commentator on what is going on. His modality, pointed or otherwise, thus ineluctably contributes to the audiences awareness of what is happening, and the counsel in which other characters treat him is oft a key indicator of their sensibilities. Touchstone is one of the gentlest and happiest clowns in all of Shakespeare. He comments on the action, makes jokes at other peoples expense, and offers humourous insights about their situation. But end-to-end As You Like It, much(prenominal) traditional roles of the fool are offered and taken with a munificence of spirit so that his remarks neer shake the firm comic energies of the play. When he ridicules Orlandos verses, Rosalind laughs along with him. When he p oints out to Corin (in 3.2) that the shepherd essential be damned for never having lived at court, Corin takes it as close natured jesting (which it is). When Touchstone takes Audrey out-of-door from her rural swain, William, there are apparently no disfranchised feelings (although much here depends on the staging). In this play, the professional jester participates in and contributes to a mode of social interaction which is unconditional by any more sober and serious reflections. This makes Touchstone very different from the savage fool of King Lear or from the most complex fool of all, the sad Feste of Twelfth darkness , both of whom offer comments that digress either a shrewd, melancholy, or bitter irony on the proceedings. Touchstone himself becomes the target of much humour by his prompt attraction to Audrey, the foul country lass. If you desire to get a full essay, order it on our website: OrderCustomPaper.com

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